MYDDLETON’S
RIVER
Half a
century on, approached in imagination
(mining buried treasure in the mind)
it’s
like waking up after a long sleep, looking
out on a bright morning,
wiping
away a film of slumber from eyes dazzled
by the dawn. It takes time
for time
to dissolve now and resolve again then
to a statue on a patch of
green between
busy roads. Hugh Myddleton constructs
the New River running
somewhere here
bringing, gradient to gradient, sweet water
through the
channels of my childhood
to London town and all the rivers
of Wales
running through recent memory.
***
Even then the river was a
conduit
for feelings that ran just beyond perception
touching my life with
knowledge of its presence
but not quite in the light. Light after all
just
glittered on its surface while in the dark
its waters ran deeper that I could
fathom
behind those streets and through those parks
that beckon, as dreams
of things once vivid
but now lost. What I know, and knew
even then is that
I walked by streams
that flowed out of the busy life of cities,
that just
through there or behind that ivied wall
somewhere was a gateway I
avoided
which voided the silver waters down to Hades.
***
Irrigations,
flowings from the source;
Is the essential river in its upper reaches
Or
where it floods, deep and wide?
This New River (though no new river)
was
my becoming and now my past which
flows to meet me. Tributaries and
connecting
streams run through, across and contrary. Chadwell
springs
mixed with waters from the Lee.
Severn and Wye trickle from peaty
pools,
meander from the same mountain, running
along borders through
towns, fields and woods
until worlds dissolve as fresh water tastes
salt.
Rheidol too streams from this source and thickens
in its shorter
course with lead from Myddleton’s mines.
***
From any gateway to the
Underworld we may emerge
through any gateway out again. Following
the
river into a culvert under a hill I exhale
on a path winding like Tywi
through other hills;
In this garden time is marked along the path by
rocks
from each age of the world while a hedge of flowers
winds along its
other side to a fountain
(a switch across a synapse into lost time).
Water
spirals through a cross-section of an ammonite
and drains into a lake. The
Lady of the Lake
appears and disappears. Myddfai, Middleton Hall,
a tower
on a hill and a glass dome like the hills –
What dissolves resolves again:
places, shapes,
substances in suspension suspire as substantial
form.
***
It was in that tower that the new journey began,
began
quietly, climbing steps that turned again
and again into air gathering
solidity to anchor
light to darkness as a world formed around me
and
rivers flowed in my veins as well as across
the molecules of my eyes. Looking
out
over the lost garden which time would rediscover
I turned back for a
time of contemplation, waiting
for the flux to gather the configured
forms,
trace the connecting streams, leets, seepages;
shafts running
unseen below dividing rock bringing
light to the converging flood as these
rivulets merge:
a New River breaks free from its containing channel
flows
through space, time, imagination.
***
Hugh Myddleton’s river poured into
wooden pipes
tapped by London houses; his journey then
back to Wales where
he tapped the veins of ore
and for every ton of lead a grain of precious
silver
base metal transformed as only those with craft and lore
canne
knowe. Planted in a remoate place
and countrey, they tunnel into wooded
slopes
these mines, and like his river find a familiar
calling from a
darkness deep within.
At the entrance to one adit: galena
and the glisten
of fool’s gold (as they call it)
iron pyrites to those that would be
wise
but transformations there are here, slippages
between worlds, fooles
and alchymicall wittes betwyntimes.
***
So I changed (Hugh Myddleton had
Thomas
Middleton to compose a metrical speech
at his river’s inauguration)
– like Antonio
I changed : Saturn’s plumb line stirring the
depths
(swinging the lead?) transforming echoes,
glitter of moonlight on
the waters not yet
uttered into being; anomie and heavy
idleness become
wantonness, life in the full
zest of discovery of itself. No matter
it’s
foolish to revel in the golden glow of
a new dawn. What is signified and
what
signifies are always, and yet never, arbitrary.
I distil silver from
the leaden waters of that river,
gold from pyrites for a store of
treasure.
***
This valley and others spoiled by mines, yet wild
still
with the scars that mar them. Myddleton’s
workings were shallow, though
deeper than memory
could recall. Rust runs across discarded rock now
as
iron and steel oxidize back into earth and water.
Cwmsymlog, Cwmerfin,
Cwmystwyth – valleys at
journey’s end with rivers running down to the
sea
as I run a slow course now against the backdrop
of these hills. What
spark is it that recalls
Myddleton’s mild river by these torrents through the
rocks?
There are moments when one place echoes another,
when each
remembered location in time steps out of isolation
and flows with one purpose
in a rush like these rocky streams
though everything is as still as
Myddleton’s barely moving river.